989 Royalty-Free Audio Tracks for "Fifth Tones"

All harmonics from 16 to 32 as a tone cluster, primarily of seconds, then arpeggiated.

Leading-tone half-diminished seventh chord as dominant in Mozart, Piano Sonata in D Major, III (end of Variation V), K. 284, mm.14-17.

Chord progression (half note open guitar chords) for the widely recorded ragtime influenced song written in 1923 by Jimmy Cox, "Nobody Knows You When You're Down and Out". It features chromaticism through chains of secondary dominants (III = V/V/V/V = V/vi, VI = V/V/V = V/ii, II = V/V, and V) and a secondary diminished seventh chord (viio7/V=♯IVo7).

Diminished triad on B, as MIDI

Whole tone scale on B. Created by Hyacinth (talk) 01:01, 6 July 2010 using Sibelius 5.

Secondary leading-tone chord from Purcell's Z. 669, III, mm. 9-13.

A weird synthesizer sound with some fifth tonalities.

Generated in audacity, this sine tone has an elevated pitch with lowered gain to emulate a generic censorship tone you would hear on public television. The tone is suitable for use in any field, most notably in video games, films or animations. Whether it's comical, functional or both, this tone is a viable resource for censorship detail.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Schoenberg - Variations for Orchestra op. 31 tone row.

Leading-tone seventh chord in C minor.

Common-tone diminished seventh chord in 'In the Good Old Summertime', Strictly Barbershop, S.P.E.B.S.Q.S.A. (Barbershop Harmony Society), Folio 6049.

Mirror forms, P, R, I, and RI, of a tone row (from Schoenberg's Variations for Orchestra op. 31): "Called mirror forms because...they are identical."

Webern's Concerto Op. 24 tone row, composed of four trichords: P RI R I.

Tone row for Milton Babbitt's Composition for Four Instruments.

Schoenberg - Piano Piece op.33a tone row.

Secondary leading-tone chord: viio7/V - V in C major. Created by Hyacinth (talk) 05:18, 23 May 2010 using sibelius 5.

Leading-tone seventh chord in C major.

Grandmother chord (Grossmutterakkord), first used by Nicolas Slonimsky. A G# Bb G B♮ F# C F♮ C# E D Eb = 0 e 1 t 2 9 3 8 4 7 5 6.

Leading-tone diminished seventh chords as dominant in Beethoven's Piano Sonata No. 5, Op. 10, no. 1, I, mm.1-10.

Leading-tone seventh chord often serves a dominant function. This example is from Beethoven's no. 5 op. 10, no. 1, I, mm.13-16.

Double harmonic scale with quarter tones. Created by Hyacinth (talk) 07:11, 10 March 2010 using Sibelius 5. MIDI pitch bend appears to match intervals.

A really deep beep tone i made because i felt like it.

Iphone-style call disconnect. Tone in 425 hz with 0. 2 delay.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Vst: vacs free synthesizer.

Simply flageoleto tone e played on martin d1.

A 1000hz -18dbfs 30 second line up toneus.

Sinewave.

12hz bass tone.

*Greater 37-limit quarter tone on C = C♯. Just: 37:36 = 47.43 cents. Limit: 37-limit. MIDI pitch bend: 23,79 on PU

*Greater 29-limit quarter tone on C = C. Just: 29:28 = 60.75 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 56,83

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

*Lesser 37-limit quarter tone on C = D-. Just: 38:37 = 46.17 cents. Limit: 37-limit. MIDI pitch bend: 99,78

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Ninth vs added-ninth chord.

Our town was testing the sewers somehow using audio tones to measure something. Maybe resonant frequency or something like that. It sounded vey musical since they were using 3 tones per octave, like a scale based on an augmented fifth chord.

911 dtmf dialing sound.

This is a modified version of "earthkiller background 1", the background noise inside a space station. I removed some upper midrange (1700 hz) to make it easier to mix with dialog.

This is the background sound of a space station. The upper mids (around 1700 hz) are cut so that dialog should fit over the sound easily.

I used audacity with an internal mic to record this. Its good quality though. i just dialed some numbers on my house phone with the dialtone at the beginning. Its very clear there might be some background noise though.

This is the initial button push, the electronic squeal of energized circuitry and subsequent static of turning on a tv that is on a dead channel. A "swatch" culled from the back end of the sound can be looped for continuous static and electronic squeal. Made with fruity loops oscillators.

Sound created with fl studio, basic effects.

This sound is a a simple phone ringtone sound when i call my mom's phone.

Vst: vacs free synthesizer.

Edirol field recording.

This sound have been recorded in mono, on a samsung s8, using the recording app ''audiorec''. I have used izotope rx 6 to remove any unwanted noise. *this sound is completely free to use without any need of giving credits(if desired). *.